English Literature

Undoubtedly Sheridan's purpose in writing "The Rivals" was to entertain the audience by making them laugh and not by making them shed tears. "The Rivals" was written as a comedy pure and simple. Though there are certainly a few sentimental scenes in this play yet they are regarded as a parody of sentimentality. The scenes between Faulkland and Julia are satire on the sentimental comedy which was in fashion in those days and against which Sheridan revolted. A brief examination of these sentimental scenes would clearly reveal that Sheridan's intention was to poke fun at the sentimental comedy of the time. We find both Faulkland and Julia absurd. The true character of Faulkland is indicated to us by Absolute's description of him as the "most teasing, captious, incorrigible lover". Faulkland's own description of his state of mind about his beloved Julia also makes him appear absurd. He says that every hour is an occasion for him to feel al

After a careful study of "Jew of Malta" it can be said without any exaggeration that the society of Malta is full of social, political and religious evils like greed, corruption, hypocrisy, prejudice, treason, blackmailing, exploitation, lawlessness, social injustice, religious fanaticism, pride and selfishness. The play is a satirical exposition of the Machiavellian politicians, hypocrite and lusty priests, ruthless Jews and the so-called Christians who have forgotten the fundamental principles of their religion, such as tolerance, patience, pity and selflessness. The picture of Malta is very loathsome and detestable and it looks like a hell. Marlowe strikes the key-note of the play when he introduces Machiavelli in the opening scene of the play. Right from the beginning we start feeling that "All is not well in the state of Malta" and all our fears prove true when we withers that "evil desires, evil thoughts and evil doings fill its five acts of the full

Marlovian tragedy is significant due to its newness, Renaissance influence, Machiavellian morality, powerful and passionate expression, element of tragic, inner conflict, its tragic hero, popular literary type, high seriousness, bombastic language and blank verse. Medieval drama was linked with church and there were only Mysteries and Morality plays but after the rise of a new wave of the Renaissance in Europe, there was a great change in the taste of audience. After the Reformation Movement, Mysteries and Morality plays lost all their influence on audience, rather they were disliked by the people because of their link with the old church. Interludes, Masques and Pageants were introduced and touch of comedy was felt in English Drama but all these innovations were in chaotic state when Marlowe and other "University Wits" started their career. With the revival of learning in the fifteenth century, the translation of the Senecan tragedy greatly influenced English writers. C

Realism means conceiving and representing the things as they are. The basic essence of human life is embodied in realistic literature. Besides it, we have also realistic picture of contemporary society. We, thus, have realism of particular order i.e. a true picture of society, manners, people and customs. We also have what we may call the "universal realism". While it is true that Richardson and Defoe have some claim to have brought realism to English fiction, it is Fielding who can be called the real pioneer in realistic mode of novel writing. Fielding's realism is called "universal realism" as well as global. As Fielding says in the Preface to "Joseph Andrews": "I believe I might aver that I have written little more than I have seen." Fielding's novels present the fairly comprehensive picture of English society in eighteenth century. Though Fielding does not give us material about the environment of the people, yet their men

It is true that we can term "Joseph Andrews" as a 'comic epic poem in prose' because it has almost all the prerequisites that are important for labeling it as a 'comic epic poem in prose'. Fielding himself termed it as a 'comic epic poem in prose' in the "Preface to Joseph Andrews". Fielding claimed that he was founding a new genre of writing but this was not entirely accurate. There was a long tradition of such writing before him, though it was not completely developed or established. According to Aristotle, Homer had produced a 'comic epic in verse' but again according to Aristotle verse is not the only criterion for poetry. Fielding has only combined the ideal of 'comic epic' and the 'prose epic' to produce what he termed as 'comic epic poem in prose'. An epic is a story of "a conspicuous man who falls from prosperity to adversity because of his some error of judgment i.e. Hamartia. His death is, howeve

Fielding's proclaimed aim was to tear the veil off affectation and expose it to ridicule, which is the true source of laughter. Humour, naturally, occupies an important place in Fielding's concept of novel. Satire has an equally important role, for it has to strip the mask off the ills of society, holds up a mirror to human folly and corrects human beings of their vanities and hypocrisy. In his Preface to "Joseph Andrews", Fielding concludes that affectation is the source of the ridiculous, springing from vanity or hypocrisy. Fielding intends to laugh mankind out of its follies and foibles. Fielding, thus, employs ironical and satirical humour in several places. But he does not confine himself to these two varieties. Essentially a comic genius, he often indulges in other forms of humour, among which pure fun is very common. Joseph Andrews has a large variety of humour. Farce is not excluded. Several farcical situations such as the fight scene at the inn, Joseph fall

Frost's poems deal with man in relation with the universe. Man's environment as seen by frost is quite indifferent to man, neither hostile nor benevolent. Man is alone and frail as compared to the vastness of the universe. Such a view of "man on earth confronting the total universe" is inevitably linked with certain themes in frost's poetry. One of the most striking themes in Frost's poetry is man's isolation from his universe or alienation from his environment. Frost writes in "Desert Places", "The loneliness includes me unawares". Man is essentially alone, as is borne out in frost's poetry. Frost is not so much concerned with depicting the cultural ethos of New England people as with presenting them "caught up in a struggle with the elementary problem of existence". The New England of Frost reflects his consciousness of "an agrarian society isolated within an urbanized world". Man is alone in the countrysi

In spite of the Pastoral element predominant in Frost's poems, he is still a modern poet because his poetry has been endowed with the awareness of the problems of man living in the modern world dominated by Science and Technology. Critics have a difference of opinion over considering him a modern poet. Frost is a pastoral poet � poet of pastures and plains, mountains and rivers, woods and gardens, groves and bowers, fruits and flowers, and seeds and birds. They do not treat such characteristically modern subjects as 'the boredom implicit in sensuality', 'the consciousness of neuroses' and 'the feeling of damnation'. Cleanth Brooks says: "Frost's best poetry exhibits the structure of symbolist metaphysical poetry. Much more clearly than does of many a modern poet." In fact, Frost's poetry portrays the disintegration of values in modern life and the disillusionment of the modern man in symbolical and metaphysical terms as mu

Henry Fielding undoubtedly holds moral views far-ahead of his times. Morality is an approval of adherence to principles that govern ethical and virtuous conduct. Fielding was accused of being immoral in his novels. Dr. Johnson called his novels "vicious and corrupting". Richardson echoed the "charge of immorality" against him. Modern critics, however, has justified Fielding and gave him a credit of "an estimable ethical code". Strachey declared him a "deep, accurate, scientific moralist". Indeed neither "Joseph Andrews" nor "Tom Jones" strikes the modern sensibility as 'low' or 'immoral' either in purpose or in narration. Behind the truthful portrait of life, lies his broad moral vision. His writings are informed by an aim of correcting mankind with laughter. "I have endeavored to laugh at mankind, out to their follies and vices." His satire is prompted by the positive and healthy desire to reform

Complex subjects like the one in "The Sound and the Fury" cannot find their full expression in simple narration. They need illustration and that can be made only through symbolism. The theme of "The Sound and the Fury", the decadence of Compson family is largely clarified through symbolization of its central characters and their actions. Faulkner has worked out the whole pattern of the novel symbolically. The very title has symbolical implication. The motif of the novel has been conceived by Faulkner in a conflict between the order and chaos producing forces in symbolic terms. Mr. Compson nihilistic view that victory is an illusion of philosophers and fools, that virginity is myth invented by men and women are not conscious of it, that time is a mausoleum of all hopes and desires, Mrs. Compson's self-pity and isolation, Benjy's idiocy, Quentin's emasculation, Jason's pragmatic commercialism and Caddy's promiscuity symbolize it. The symb

Basically the novel presents the story of the decline of a family. The family shown in the novel has traits which can be perceived as signs of decadence resulting from regional history. Compson's family comprises of long line of men full of decency and pride. But after civil war in America the family's fortunes and abilities declined rapidly. The Compson family consists of Mr. and Mrs. Compson, their four children Quentin, Caddy, Jason and Benjy. Mr. Compson is the first clear sign of decay in the family oppressed by the traditions. His self-pitying wife is a terrifying example of the functionless southern lady. Their children depict different degrees of degeneracy. Benjy is an idiot, Caddy is promiscuous and her daughter afterwards takes her path. Quentin drives himself to suicide by an obsession with his sister's dishonour. Jason is villainous. Faulkner thus identifies the sources of destruction of the family in their individual character, which are full of self-dest

uch ink has been spilt in proving and disproving that Browning is an obscure poet. It is hard to absolve Browning of the charge of unintelligibility and difficulty. In his own age, he was considered very difficult and obscure and hence could not achieved popularity and recognition like his contemporary Tennyson. "Sordellow" was regarded as more obscure than any other poem in the English language. Mrs. Carlyle read the poem and could not judge whether 'Sordellow' was a man, or a city, or a book. Douglas Jerrold, after reading it said: My God! I am an idiot. My health is restored, but my mind is gone. Browning certainly is a very difficult poet. Dawson calls him "the Carlyle of poetry". Various reasons are given for the obscurity and difficulty of his poetry. According to some critics, obscurity of Browning's poetry is � a piece of intellectual vanity indulged in more and more insolently as his years and fame increased". But as

Bacon was, definitely, a worldly wise man. He was the wisest and the meanest of mankind. He was truly of Renaissance; the age of accumulating knowledge, wealth and power. Being a true follower of Machiavellian principles, he led his life for worldly success. He was a man of shrewd and sagacious intellect with his eyes fixed on the main chance. And what he preached in his essays was also the knowledge, needed for worldly success. There is no doubt that Bacon's essays are a treasure house of worldly wisdom. The term worldly wisdom means a wisdom which is necessary for worldly success. It does not need any deep philosophy or any ideal morality. But Bacon was a man of high wisdom, as he himself pronounced, "I have taken all knowledge to be my province". Bacon also preached morality but his morality is subordinate to worldly success and he never hesitated to sacrifice it for worldly benefit. His essays are rich with the art which a man should employ for achieving success

If parts allure these think how Bacon shin'd The wisest, brightest and meanest of mankind. Bacon was the wisest because of his worldly wisdom, he was brightest owing to his powerful intellect and the art of writing terse essays, and he was meanest due to his treacherous character. The above mentioned remark on Bacon was made by a renowned and marvelous poet, "Alexander Pope". If we observe critically, this statement holds its validity. For Bacon appeared to be a true child of Renaissance. Undoubtedly he was a man of wisdom and powerful intellect. But all at once he was a calculating character, keeping an eye on the main chance. He was a true follower of Machiavelli. He failed to harmonize his mixed motives, complex principles and high aims together. He wanted to strive after the selfless scientific truth but he was conscious that nothing could be done without money and power. So, he strived after material success. Bacon belonged to the age of glory and greatness,

Adam and Eve are the very first human couple and the parents of the whole human race and the masterpiece of God's art of creation, primarily lived in Eden which is an indescribable beautiful garden in Heaven. God had given them the liberty to enjoy everything available there, with only one restriction that they were not to eat the forbidden fruit there, but they could not act upon this curb, therefore, God punished them for their disobedience and expelled them from Paradise. When we make a careful and critical analysis of "Paradise Lost" Book IX, we discover that in spite of having many common features of character and personality both Adam and Eve have a world of difference between them as well. Both of them are made of clay, have steadfast faith in God and equally love each other yet at the same time they are divided in opinion about their work, passion and the fear of an enemy. As far as Eve is concerned, she possesses female charm and attraction, a suggestiv

Satan occupies the most prominent position in the action of Paradise Lost. Though the main theme of the poem is the "Man's first disobedience" yet it is the character of Satan which gives a touch of greatness to this epic. Al the poetic powers of Milton are shown on the delineation of the majestic personality of the enemy of God and Man, i.e. Satan. As it is shown in Paradise Lost Book-I that the character of Satan is a blend of the noble and the ignoble, the exalted and the mean, the great and the low, therefore, it becomes difficult to declare him either a hero or a wholly villain. In Paradise Lost Book-I we can hardly doubt his heroic qualities because this book fully exhibits his exemplary will-power, unsurpassable determination, unshakable confidence and unbelievable courage. However, the encyclopedia of religion removes some of the confusion from our minds regarding Satan's character in the following words: Satan means the arch-enemy of men, the adve

Homer and Virgil were the two great masters of the Classical epic. Homer's Iliad and Virgil's Aeneid have invariably served as models for all writers of the classical epic. Milton was a great classical scholar and he sought to write an epic. He dreamt of immortality and he aspired to be one with Homer and Virgil as the author of a classical epic. Milton turned his great classical and Biblical learning to a poem to "assert eternal providence, and justify the ways of God to men". I may assert Eternal Providence, And justify the ways of God to men. Milton achieved eminent success in making Paradise Lost as classical epic. In spite of certain drawbacks and defects, Milton's epic is entitled to take its rightful place among half a dozen classical epics in the world. The first essential feature of the epic is its theme. The theme of an epic must have a national importance or significance; that is, the epic must be a true and faithful mirror of the life and of a na