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Showing posts from August, 2016

An Analysis of the Poem "Eid" by Alamgir Hashmi

SHUAIB ASGHAR DEPARTMENT OF ENGLISH GOVT. RAZVIA ISLAMIA COLLEGE HAROONABAD, PAKISTAN �Eid� is a short but thought-provoking poem. Apparently it seems to be a poem of joy, as the title suggests, but actually in it Alamgir Hashmi has pointed out some of the darker aspects of our society.  The poem is based on the observations of an innocent but sensitive child who is around there on the Eid day and watching the various people doing various jobs. Eid is a festival that comes on the day after the days of Ramazan have been devoted to fasting. It is celebrated all over the Muslim world. This is the day when exchange of sweet dishes is made between the near and dear ones. At the very outset of the story it is made clear that Eid is more than the vermicelli thing. It must not be taken merely as a festival of joy and celebration. There is something more to do for the Muslims on this particular day. Firstly the child observes the devotees in the mosque who raises offertory for the prayer keepe

An Analysis of the Poem "Pakistan Movement" by Alamgir Hashmi

SHUAIB ASGHAR DEPARTMENT OF ENGLISH GOVT. RAZVIA ISLAMIA COLLEGE HAROONABAD, PAKISTAN This poem by Alamgir Hashmi is divided into three sections. The first part deals with the bloody partition of the Sub-continent. Some horrible and terrifying pictures of the migration are drawn. The second part discusses the advent of Islam in this region of the world and the glory of the Muslim conquerors and empire. There is also a reference to the Soviet invasion of Afghanistan and their desires to reach the warm waters of the Arabian Sea.  And in the end the poet deals with the future of Pakistan and the hopes of the nation. Pakistan Movement is undoubtedly a moment that resulted in a wholesale migration of millions of people from their home-lands. A number of horrible and heart-rending scenes are still in the memory of the migrates. The houses left by them are set on fire. Thousands of men were killed, girls were kidnapped and the processions were attacked. People became love-less. Communal viole

An Analysis of the Poem "The Road" by Hina Faisal Imam

SHUAIB ASGHAR DEPARTMENT OF ENGLISH GOVT. RAZVIA ISLAMIA COLLEGE HAROONABAD, PAKISTAN Feminism as a movement has played a very vital role in projecting the suppressed status of women in the patriarchal society. In the domain of patriarchal culture, woman is a social construct, a site on which masculine meanings get spoken and masculine desires enacted. The road by Hina Faisal Imam sings a song of pinching pain about feminism over the miseries and sorrows experienced by married women. The condition of women in our country, especially in rural areas, is very pathetic, or morally and ethically incorrect. This fact has been highlighted on numerous occasions by the ill treatment of women. The Road is a very pathetic song about the miseries and sorrows experienced by the married women, who are confined to their houses. Though they are provided with all the material needs yet no one is there to fulfill the demands of their souls. They silently are registering a complaint to the sane men of th

Role of Fate in the Poem "Wedding in the Flood" by Taufiq Rafat

SHUAIB ASGHAR DEPARTMENT OF ENGLISH GOVT. RAZVIA ISLAMIA COLLEGE HAROONABAD, PAKISTAN The poem Wedding in the Flood is certainly about wedding ceremony which is always associated with joy and mirth. But the segment of the wedding which the poem deals with is the departure of the bride. This segment is more about the bereft and parting than any mirthful activities. The poem is a chain of expressions of unknown risks and fears. The mother of the bride expresses her fears about the nature and the attitude of the bridegroom. How will she be able to be a part of that stranger house with stranger people and environment? The parting day for her is becoming tediously troublesome. When parents in a society like Pakistan choose a match for their daughter, they do it with a lot of fears and prayers. They feel worried because the women are not given their due rights in our society and they have very little authority in the daily affairs of life. So they have to be subordinate to their men. The tho

A Picture of Pakistani Rural Culture in the Poem "Wedding in the Flood" by Taufiq Rafat

SHUAIB ASGHAR DEPARTMENT OF ENGLISH GOVT. RAZVIA ISLAMIA COLLEGE HAROONABAD, PAKISTAN In this poem the poet has presented a very vivid slice of life in the rural Punjab. The picture is so real that the readers who are acquainted to the culture of the rural Punjab read this poem with complete involvement and cannot help appreciating the poet�s power of portraying true poetic picture of Pakistani culture. When parents in a society like Pakistan choose a match for their daughter, they do it with a lot of fears and prayers. They feel worried because the women are not given their due rights in our society and they have very little authority in the daily affairs of life. So they have to be subordinate to their men. The bride is frightened because of these circumstances. She also thinks about her husband�s nature and disposition. She is actually in total scaring atmosphere. Same are the worries of the bridegroom for her new life partner. If only her face matches her hands And she gives me no

The Professor Condoles by Daruwalla

The Professor Condoles by Daruwalla By Bijay Kant Dubey The professor condoles it not, but Daruwalla is condoling, thinking of himself being in the English language and literature classroom or reading the books for Tragedy special paper in M.A. or father N.C.Daruwalla is giving lessons in. The professor condoles it not, but Daruwalla thinking himself not as an Indian Police Service officer

Where The Mind Is Without Fear

Where The Mind Is Without Fear by Rabindranath Tagore By Bijay Kant Dubey Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of

Silent Steps

Silent Steps by Rabindranath Tagore By Bijay Kant Dubey Have you not heard his silent steps? He comes, comes, ever comes. Every moment and every age, every day and every night he comes, comes, ever comes. Many a song have I sung in many a mood of mind, but all their notes have always proclaimed, `He comes, comes, ever comes.' In the fragrant days of sunny April through the

EDWARD SAID'S PROSE STYLE

Edward Said's Prose Style Introduction      Style is a fundamental aspect of prose. It is the literary element that describes the ways that the author uses words, sentence structure, figurative language, and sentence arrangement which work together to establish mood, images, and meaning in the text. Style describes how the author describes events, objects, and ideas. An author's style is what sets his or her writing apart and makes it unique. Edward Said is a distinguished prose writer of 21st century. Most of his writings are about discourses of imperialism, Islam, Palestinian colonization by Israel and music. Said's style of writing can be studied in thematic analysis of his essays and books. Paradoxical nature of identity, celebration of of exile, repetition of ideas, writer as theorist, interrogative introduction, imperialistic allusions, musicality of text and coining new terms are the salient features of Said's prose style.    1. The Paradoxical Position      As c

Goodbye Party For Miss Pushpa T.S.

Goodbye Party For Miss Pushpa T.S. by Nissim Ezekiel By Bijay Kant Dubey A lover of Pushpa here speaks in as the protagonist of the poem and he is none the else but the poet Nissim Ezekiel himself unable to contain in the feelings of his heart, expressing the unputdownable on paper. Let us see how he is receiving or taking her to the airport as for going to foreign and Pushpa a distant

Background, Casually by Nissim Ezekiel

Background, Casually by Nissim Ezekiel By Bijay Kant Dubey Background casually, not seriously, but lightly is the point of deliberation; the autobiography of a poet rascal in verse, who is but never a Shylock though may be a Maharashtrian Jew born and reared up in Bombay; a Shanwar Teli, a type of Saturday oil-presser by caste, this is but how he introduces himself in the poem titled so.