Must-Prepare Topics for Criticism
THE POETICS (335 BC) by ARISTOTLE (384 BC-322 BC)
1. Concept Of Tragedy
2. Ideal Tragic Hero/ Concept Of Hamartia
3. The Plot Of A Tragedy
4. Theory Of Imitation
5. The Function Of Tragedy/ Its Emotional Effects/ Catharsis
6. The Three Unities
THE PREFACE TO SHAKESPEARE (1765) by DR. SAMUEL JOHNSON (1709-1784)
1. Brief Synopsis Of The Preface To Shakespeare
2. The Unities
3. Didactic Approach
4. Justification Of Tragi-Comedy
5. Appreciation Of Shakespeare�s Merits
6. Faults Of Shakespeare
PREFACE TO LYRICAL BALLADS (1800) by WILLIAM WORDSWORTH (1770-1850)
1. Historical Significance Of �The Preface To The Lyrical Ballads�
2. Theory Of Poetry
3. Theory Of Poetic Process
4. Themes And Treatment Of Poetry
5. Poetic Diction
6. Qualification And Nature Of A Poet
7. Views On Metre
BIOGRAPHIA LITERARIA (1817) by SAMUEL TAYLOR COLERIDGE (1772-1834)
1. Theory Of Imagination
2. Difference Between Imagination And Fancy
3. Willing Suspension Of Disbelief
4. Views On Metre
5. Nature And Function Of Poetry
6. Criticism Of Wordsworth�s Theory Of Poetic Diction
7. Coleridge As A Critic
THE FUNCTION OF CRITICISM (1865), THE STUDY OF POETRY (1880) by MATHEW ARNOLD (1822-1888)
1. Theory Of Poetry
2. Three Estimates Of Poetry
3. The Function Of Criticism
4. Qualification Of A Critic
5. A General Estimate Of Arnold As A Critic
TRADITION AND INDIVIDUAL TALENT (1919), HAMLET (1920),
THE METAPHYSICAL POETS (1921) by T. S. ELIOT (1888-1965)
1. Theory Of Traditions
2. Function / Role Of Poetry
3. Views On The Nature Of Poetic Process / Theory Of Impersonality
4. Objective Correlative
5. Views On Shakespeare�s Hamlet
6. Views On The Metaphysical Poets
7. Eliot As A Critic
THE WELL WROUGHT URN by CLEANTH BROOKS (1906-1994)
1. Wordsworth And The Paradox Of Imagination
2. Keats� Sylvan Historian
3. Yeats� Great Rooted Blossomer
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