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Geoffrey Chaucer: A Representative of His Age

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EXPLANATION WITH REFERENCE TO THE CONTEXT - GOOD-MORROW BY JOHN DONNE

Explain the following extracts with reference to the context. My face in thine eye, thine in mine appears, And true plain hearts do in the faces rest; Where can we finde two better hemispheares Without sharpe north, without declining west? REFERENCE (i) Poem:  The Good-Morrow (ii) Poet:  John Donne CONTEXT (i) Occurrence:  Stanza 3 (Lines 15-18 / 21) (ii) Content:  This poem is considered to be one of the best poems belonging to the metaphysical school of poetry. It describes the poet's profligate past and his present spiritual awakening. The subject is love, love seen as an intense, absolute experience, which isolates the lovers from reality and gives them a different kind of awareness; a simultaneous narrowing and widening of reality. This perfect love is immortal and it makes the lovers immortal too.  EXPLANATION      In these lines the poets talks about the unique beauty of the love which he and his beloved, Anne Moore, share. Face-to-face wit...
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EDWARD SAID'S PROSE STYLE

Edward Said's Prose Style Introduction      Style is a fundamental aspect of prose. It is the literary element that describes the ways that the author uses words, sentence structure, figurative language, and sentence arrangement which work together to establish mood, images, and meaning in the text. Style describes how the author describes events, objects, and ideas. An author's style is what sets his or her writing apart and makes it unique. Edward Said is a distinguished prose writer of 21st century. Most of his writings are about discourses of imperialism, Islam, Palestinian colonization by Israel and music. Said's style of writing can be studied in thematic analysis of his essays and books. Paradoxical nature of identity, celebration of of exile, repetition of ideas, writer as theorist, interrogative introduction, imperialistic allusions, musicality of text and coining new terms are the salient features of Said's prose style.    1. The Paradoxical Position ...
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